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The I Monster production team had a big hand in creating the snarling beast of a come back single as the Human League once again aims to dominate the dancefloors of the world with new smash hit Night People. So I caught up with knob twiddler supreme Dean Honer to learn a bit more about the process of making this electro stomper. |
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Interview by Niels Kolling, picture by Mark Jones |
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First of congratulations on
a job well done with the production of Night People. What an amazing
track to release after so many years. Love the snarling bass, the synths
bleeps, the vocal treatment and the way it changes halfway through.
Simply awesome.
Can you go into details about how the track evolved from the demo to
the final version that is currently taking the music world by storm as
it was officially released this week?
We also threw in a new synth riff at the end over which Philip then wrote the "Get Away" section.
It was a case of us doing a bit of fiddling at our studio then sending it to the
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band to either say "thats rubbish"or "thats great", then they would do a bit more fiddling and send it back to us and so on......
Night People probably involved
the most fiddling and sending back and forth out of all the tracks on
the album.
What kind of gear was used to create the track?
The fat end section Bassline is a Pro One doubled with a Minimoog. The end rave chords are actually a Korg MS20 plug in. Drums are a mixture of our own samples, Linn LM1 samples and Philips Pearl Syncussion drum pads.
I think thats about it!
Watch out for full Dean Honer interview. In the meantime, why not check out the wacky I Monster website for latest info;
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